A wise man once said "Elegance is simplicity". Or maybe it was a woman, and maybe it was "Simplicity is elegance". Or I could be making this up. At any rate, this song by Lykke Li is beautiful, and the simplicity of it only serves to enhance and emphasize the beauty. Especially in this one-take acoustic video:
My buddy Jake passed on a tip to check this band. They're from Seattle and are pretty rad. This song is on the chill side of their spectrum... they get a bit louder - not Slayer loud, but louder than this. But today this one feels like the one to post.
Here are a couple takeaway-style performances:
Oh by the way, check their website for a free download of the track! "Well, I don't want to die anymore
You guys. David Wax Museum are back in Pittsburgh tomorrow night for a show at Club Cafe. Yes, the Boston-based band with the donkey jawbone will be playing at everyone's favorite PGH venue. Here's a track which epitomizes their Mexo-Americana stylings with an English-language version of a traditional Mexican folk song:
Be sure to check this track and others in their Daytrotter session. Be sure to check some other sweet performances which are floating around the interwebs, like this NPR Tiny Desk Concert which opens with this tune:
And most of all, be sure to be at Club Cafe tomorrow night at 8 (7 Central).
"...your careless heart invites me in, just to see me go..."
You guys. Fun. Is. Spectacular. A combination of, dare I say, fun melodies with upbeat and catchy instrumentation, topped off with (at least on tracks like this) powerful and introspective lyrics. They're exploding across the airwaves, on both the indie and popular stations (and fortunately, "We Are Young" hasn't been mutilated for the Top 40 stations like Gotye's "Somebody That I Used To Know".)
This one (especially the acoustic performance) captures the power of Nate's vocals and the emotion he conveys. The song's message is one of hope and perseverance.
Sick acoustic version recorded for Record Store Day (4/21/2012):
I stumbled upon Be Honest, Ruth Bryan! through The Ballard Sessions, which are Seattle's version of Pittsburgh blog Draw Us Lines' Echo Chambers. The trio of ladies from the Northwest bring some haunting harmonies and exquisite instrumentation, and in a bipartisan spirit, let a couple of dudes play along as well.
This track is pretty self-explanatory, but I'll give you a few brief thoughts nonetheless. The point of view makes for quite the intriguing take on the story. Dads don't like it when married men fool around with their daughters. Heck, dads don't like it when any men fool around with their daughters. And arpeggios in minor keys are a double-edged sword, but when done well, they can really hit the spot:
Here's one my little brother got me hooked on. This duo met in college, started playing music together, fell in love, got married, and are living the dream of every hopeless romantic hipster musician.
The song starts out minimally, but builds and builds into a beautifully orchestrated arrangement with rich harmonies and deeply sincere lyrics. There's not a lot of digging to be done to interpret this track, so just bask in the glow of the love expressed and the joy of the tune, and the sweet music video filmed in Seattle + Silverdale, WA:
Some good live performance videos out there, too. Here are two good ones:
Also, they have a ton of freebies on their website, for the price of an e-mail address. Ten songs (okay, two are duplicated, so eight songs) just like that; two more if you go to briterevolution (just now found this site; seems cool) and sign up. Download and give it a listen, but if you like it, be sure to go back and support the artist financially (always the best policy for facilitating that good music continues to be made!)
(Aside: can I just say that I very much appreciate artists who post lyrics on their own sites? songmeanings.net is great, but people mishear things a lot even on a site like that. I just like to know that what I'm hearing is what they're saying, ya know?)
EDIT 2-26-12: oh look,MORE free tunes! This time on noisetrade.com.
Heard this tune on WYEP en route out of Pittsburgh to WV for work this morning. It's quite good; has a little bit of an Edward Sharpe and the Magnetic Zeros vibe (specifically the song "Home", with the female/male vocal tradeoff, and the female leads have some similar qualities...), and some solid lyrics.
The six-member outfit blends accordion and trumpet with acoustic guitars and keys, for a sound that's not quite unique (there's nothing new under the sun, after all) but quite enjoyable, and distinctive from the majority of stuff that's out there these days.
Oh yeah, and they're Icelandic... how about that?
Here's a live performance captured by Seattle's KEXP radio:
Just found this band thanks to 1,2,3's facebook post regarding upcoming shared tour dates. This song is delectable and transcendental, with ambiguous yet intriguing lyrics. A slow vibe that just draws you in.
Album version:
And of course, if there's a sweet acoustic rendition on youtube, I'm obliged to include it as well:
"When the tide is low we’re digging through the loam..."
Every time I post a song that involves an Echo Chamber session from the Draw Us Lines crew, I'm reminded of a line in The Rescuers Down Under (you know you loved that movie as a kid)... "We're gonna have to make connections with a bigger bird." (said by Wilbur of Albatross Air, when asked whether it's a non-stop flight to Australia...) They do such a good job over there at DUL, and capture some truly amazing songs stripped down to the roots in the EC sessions. Not to mention, some of the songs are as yet unreleased (this one is from Good Night, States' upcoming "Country / Static" release - due 4.5.12), and the EC videos are the only versions available for me to post.
Good Night, States are yet another gem formed in the coal valleys of the Steel City... but they throw in some Jersey attitude for good measure. Given their long-distance relationship, they're more than slightly elusive as far as live concert performances go, and I've yet to see them. But I can guarantee I'll be at their next PGH gig, good Lord willin' and the creek don't rise.
This song will blow you away. At least, it blew me away; I'll try not to oversell it since not everyone's musical tastes are identical. But if you like the folksy feel and lush harmonies of The Head And The Heart or Fleet Foxes; or haunting, love/heartbreak songs like "Liar" or "Poison and Wine", I'll wager you'll like this song too:
PS - props to percussionist Dan Harding for the awesome Where The Wild Things Are t-shirt (and the ridiculous glockenspiel breakdown), and to the venue for this EC session, which is a gorgeous local church - Eastminster Presbyterian.
Quickie post tonight; here's one I am digging lately thanks to my buddy Adam, who apparently discovered these guys on a recent road trip to Minnesota. The band name is sweet, as is their musical talent. I think the tempo of this song can only be described as "blistering"...
"And your heart rolls on, like a frozen freight train
A lot of times, I go with the upbeat, catchy single when first posting an artist on this site. I was tempted to do the same with Madi Diaz, but I'm going a different direction (I can always post more of her stuff later.) My buddy and I basically just discovered Diaz by checking the Club Cafe concert calendar and reading a writeup in the Pittsburgh City Paper, and dropped by her show last Wednesday. It was a near miss, as we both had had a lot going on and were not really in the mood to go out to a midweek show, but we sucked it up and ended up having a great time.
Diaz has a voice that grips you, and her partnership with guitarist/songwriting collaborator Kyle Ryan manages to fill the stage and the room like an aurora fills the sky. Diaz uses a synthesizer to flesh out the sound while playing acoustic guitar, creating a rich background for the vocals.
This song relays the emotions of a somewhat one-sided relationship; Diaz wants more but her counterpart displays inconsistent maturity and fails to put forth the effort to develop a deeper connection. The gentle indie-pop chording sets the foundation for the crescendo of emotion as Diaz wrestles with the delicate situation and exhorts her lover to go all in.
Live at Club Cafe:
Solo performance live in studio:
Album version (you can find the whole album on madidiaz's youtube channel - well worth a listen!):
"So am I fighting a boy, or am I fighting a man
which side will I see when you show up again
the man don’t wanna tell me but at least he’ll try
'cause the boy ain’t hanging 'round tonight..."
EDIT 2-1-12 - get Madi's new album, Plastic Moon, on Amazon for $5 throughout the month of February. It's legit.
Normally I try to avoid using covers as posts, but this one is just incredible. Plus I've had a rough week with work and such and haven't posted, and I'm minutes away from a much-needed crash and burn marathon sleep session, so a quick one with limited need for deep, insightful commentary was needed.
Walk Off The Earth won the internet with this YouTube video two weeks ago; you've probably already seen it, but if not, watch it now before you're the last person on earth not to. Seriously, it had something like 800,000 videos when I first saw it, and exploded to several million within like a day. 31 million views in 15 days - almost 2M / day. I believe that's what you kids refer to as "going viral"...
The gimmick is that it features five people playing one guitar, but man do they legitimize it. The arrangement is stellar, the voices gritty and true, and the dude on the right is so hardcore you won't be able to stand it.
The band does lots of covers (pretty much all of them are amazing) but also has their own tunes, so check them out further if you like this:
So like I said late (really late) Friday night, both artists at the early show at Club Cafe were pretty okay. Pittsburgh band Big Snow Big Thaw set the stage for troubadour Jeffrey Foucault(see how I used a French-type word to describe a guy with a French last name?!?!), and this was their closing tune.
I really enjoy the dissonance and resolution, maybe it's just me. But the lyrics are pretty intriguing, and maybe you'll enjoy pondering them even if you're not quite as enthralled by the unusual chord structure as I.
Here's a concert video I filmed at Friday's show:
And here's another one that someone got at Thunderbird early last year - the track isn't part of their Winter/Spring dual EP, but hopefully it'll be on the new album (due for release quite soon, rumor has it...)
"how the hell'd I get here,
hangin' in the lurch?
can't reckon if I done myself
or you done done me worse..."
PS - check out another sweet song from Friday's show on my YouTube channel - new one "Homestead Grays". Might make it a post of its own someday...
(juuuuust under the wire on Pacific Standard Time, thanks to midnight (EST) hockey and uber slow YouTube uploading before I had to leave...)
It's a rare and beautiful thing when you go to a show to see one artist, and another artist on the bill blows you away. Not to take anything away from local bluegrass-core outfit Big Snow Big Thaw, because they were the reason I was there and their set was great, but Jeffrey Foucault just floored us. (Well, except for a few folks loudly talking in the back of Club Cafe... jags.) Just a man, a sweet guitar, and a ridiculous beard (oh, and a legit hat), but what a show he put on tonight.
Something about Arizona makes for good songwriting... here's a taste of what went down:
And here's a "live in studio" performance (with slightly better audio than my video above):
"And the sun gone down In the pale thin pink There's no one to talk to All I can think Is your eyes are full of train smoke And your mouth tastes like rain And I know when I know nothing I will always know your name..."
Like 1,2,3, these guys have a nigh un-googleable name: fun. But man, they play some catchy tunes. This one's been around for a bit, but I have not posted it yet, and it turns out the video is a free download on iTunes right now, so I was reminded of the awesomeness of the tune.
Regular:
Acoustic (this. is. legit.):
And, for anyone who's an intermediate pianist, here's a 2-minute tutorial from the band's keyboard dude, Andrew Dost:
If you live in Pittsburgh and missed last night's Brillobox lineup, you should be ashamed. Or at least saddened. My first time seeing Whiskey Holler, a fun little outfit with some steel guitar, mini organ, and a hint of banjo. 1,2,3 closed out the night with a bang. But I was most stoked for Meeting Of Important People's set, and they delivered as usual.
I snagged a couple of concert videos, including I Know Every Street (from their eponymous debut LP), a brand new track extolling the virtues of getting up and dancing (on the proverbial "floor"), and this one - a nod to Mark Twain, and according to the band, their "Pitchfork song."
Here's my video from last night:
And here's the Draw Us Lines Echo Chamber video - you may recall (but likely don't) that last July, I typed out my internal debate as to whether to post this track or "Oh, Will You Finally Go?" Guess it worked out that I can now post my own concert vid plus this gem:
EDIT (3-2-12): Here's a link to a video of Josh performing the song solo, which I filmed at the AIR gallery show on 2-18-12:
"and now I'm - I'm runnin' scared my kitchen cabinets are bare..."
I have several good reasons (at least in my own mind) to post this song tonight:
1) Today was the first day with a legitimate snowfall in Pittsburgh since last winter. Just my luck it was the morning I had to go to work... I swear, people in this city forget how to drive in inclement weather every summer. But I love snow even when it means extra traffic headaches and waking up earlier to shovel. It's better though when you can go sledding and whatnot, so who wants to quit our jobs and just enjoy the best part of the year, eh?
Catchy indie pop tune from Detroit duo with witty name. Heard this on the radio the other day, and it's pretty swell. Light and fluffy music and vocals with some hints of darker things creeping around the edges...
And because we can, here's a live acoustic performance:
"Anything you say has already been said a million times..."
If you've been paying attention, you'll know that I love juxtaposition. First, the word itself is something special. Second, the contrast between joyful music and depressing / somber / provocative lyrics or imagery, or maybe satirical commentary on modern civilization, or just plain self-destructive tendencies. This song is just that - if you listen to the tune without paying attention to the lyrics, it is inconceivable that you won't be dancing, or at least tapping your toes; but if you pay close attention, the song is about the never ending consumerism, drudgery, and mediocrity that is suburbia... not quite as cheerful as the sonic array would lead you to believe. I choose to view the music as giving a hopeful edge to the lyrical bleakness, and lines like "dead shopping malls rise like mountains beyond mountains" do indicate the expanse of the blight, but "mountains beyond mountains" also rings of hope. The phrase is partially a tribute to a book by the same name, by a doctor who has spent significant time in Haiti working with disaster relief efforts. To quote the description: "At the heart of this book is the example of a life based on hope and on an understanding of the truth of the Haitian proverb 'Beyond mountains there are mountains' – as you solve one problem, another problem presents itself, and so you go on and try to solve that one too." I have yet to read it, but it's high on my list for the new year.
If you want to dig deeper into the lyrics and their meaning, this one's a good one to pull up on songmeanings.net - complete with a plethora of comments discussing things.
Now for some fun. Arcade Fire recently released an intense and awesome and epic (further superlatives escape me) website / interactive music video. If you have a webcam, I highly recommend using it - and if you don't have a webcam, you can still experience (some of) the fun by clicking around during the song:
(If you are lacking confidence in your dance skills and need inspiration, watch this and this first. And if you're totally lame, you can watch the "traditional" version of the music video on the site instead of the interactive version...)
And just for you audiophiles or lovers of Arcade Fire, here are some live performances to further sate your appetite:
(live studio acoustic session)
(New Orleans Jazz Festival 2011, with special guest Cyndi Lauper - yes, that Cyndi Lauper)
(different song, but had to include - the prelude to the above, in which Arcade Fire's encore began with a cover of Lauper's "Girls Just Wanna Have Fun"... featuring the original artist herself. If you're clever, you'll watch this one *before* the above...)
(plain ol' music video, for you lame folks)
"They heard me singing and they told me to stop
quit these pretentious things and just punch the clock